Nevertheless, Nijinsky’s assessment of the situation was correct: he had lost everything. In order to dance, he did not need the Ballets Russes. Any opera house director would have been delighted to engage this great star to dance the standard ballet repertory. But Nijinsky by this time was not a dancer of standard repertory. He had been through that stage with the Imperial Ballet. He was different now—an experimental artist. He needed roles that would extend his gifts, and above all, he needed to choreograph. For these things he did need the Ballets Russes, which at that time was the only forward-thinking ballet company in the world. While Nijinsky’s later psychosis was probably, in part, biologically based, even the firmest adherents of the biological theory of schizophrenia agree that constitutional vulnerability must be combined with some potent psychological stress in order for the illness to develop. In Nijinsky’s case, the major stress was unquestionably his inability, after his dismissal from the Ballets Russes, to do what he regarded as his work.
Lucy's seduction by Dracula parallels sexual seduction. The virgin is ruined by the aristocratic vampire, in keeping with a common Gothic theme of the aristocracy preying on women of non-aristocratic blood. His penetration of her parallels the penetration of sex, and Lucy is unable or unwilling to save herself from him. Lucy is far more vulnerable than Mina to Dracula's seduction: because of her flirtatious nature, she is an easier target for the vampire. Although she is still basically innocent and pure, Dracula will eventually corrupt her. She describes her sensations in the graveyard as blissful, and during her out of body experience the imagery she employs continues the theme of penetration: she says that during her out-of-body experience she felt that the "West Lighthouse was right under me." Then she feels " a sort of agonizing feeling, as if I were in an earthquake." Intentional or not, the lighthouse is a powerful phallic symbol, and the earthquake could arguably symbolize female orgasm. Here again, we see the theme of desire coupled with fear. The vampires are a grave threat to female purity, and so they are a threat to Victorian culture and order. The graveyard as the site of the seduction foreshadows Lucy's future status as one of the undead.
In February 1912, shortly after the Xinhai Revolution that ended the Qing dynasty and nominally founded the Republic of China , Lu gained a position at the national Ministry of Education. He was hired in Nanjing, but then moved with the ministry to Beijing, where he lived from 1912–1926.  At first, his work consisted almost completely of copying books, but he was later appointed Section Head of the Social Education Division, and eventually to the position of Assistant Secretary. Two of his major accomplishments in office were the renovation and expansion of the Beijing Library , the establishment of the Natural History Museum, and the establishment of the Library of Popular Literature.