It will no doubt be objected that the sequence of the big machine becomes tedious, and that in construction the film is somewhat ungainly. Such critics are at liberty to count up the faults, if it gives them pleasure, but are certainly pursuing an unfruitful occupation in enumerating these rather than the excellences. The whole film bears the Chaplin stamp, particularly in the exaggerated character of the gesture and the reliance on miming. Paulette Goddard as the gamin has taken kindly to his style. She seems fresh and different from all other screen women. In the small parts the acting is all of the same whole. One of the reasons why Chaplin is a great artist is that he is not shackled by the bonds of realism which still limit such diverse imaginative work as literature, the stage, and the screen. He has created his own ideal image of the world, or, rather, of human nature.
Modern Times is perhaps more meaningful now than at any time since its first release. The twentieth-century theme of the film, farsighted for its time—the struggle to eschew alienation and preserve humanity in a modern, mechanized world—profoundly reflects issues facing the twenty-first century. The Tramp's travails in Modern Times and the comedic mayhem that ensues should provide strength and comfort to all who feel like helpless cogs in a world beyond control. Through its universal themes and comic inventiveness, Modern Times remains one of Chaplin's greatest and most enduring works. Perhaps more important, it is the Tramp's finale, a tribute to Chaplin's most beloved character and the silent-film era he commanded for a generation. 
Chaplins last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital... When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out. Written by Colin Tinto <[email protected]>